Description: Constructed using a variety of cutouts from magazine advertisements, Hamilton created a domestic interior scene that both lauded consumerism and critiqued the decadence that was emblematic of the American post-war economic boom years.
By creating paintings or sculptures of mass culture objects and media stars, the Pop Art movement aimed to blur the boundaries between high art and low culture. The concept that there is no hierarchy of culture and that art may borrow from any source has been one of the most influential characteristics of Pop Art.
Although it did not have a specific style or attitude, Pop art was defined as a diverse response to the postwar era’s commodity-driven values, often using commonplace objects (such as comic strips, soup cans, road signs, and hamburgers) as subject matter or as part of the work. Predecessors
The first definition of Pop Art was provided by British curator Lawrence Alloway, who invented the term ‘Pop Art’ in 1955 to describe a new form of art characterised by the imagery of consumerism, new media, and mass reproduction; in one word: popular culture.
The Pop Art Movement is an art movement first established in the United Kingdom and the United States during the 1950s. It was a motion in the direction of postmodernism and rejuvenating the field of art. Artists developed the pop art movement to challenge the contemporary forms of culture and hierarchy that encompassed fine art.
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